Sunday, May 22, 2016
San Jose Aikido Community and friends. I would like to announce the restarting of Friday morning classes on May ?th. Everyone of all levels is welcome and invited to these energizing sessions. Better and longer-lasting than a shot of Starbucks. The quick jolt is from 6:30 to 7:30 allowing for early exits to get to work.
For those of you that are not familiar with me. I have been training for 36 years at the San Jose Dojo. For about 30 of those years I have led a morning class. Aikido has been a long, fun, and wonderful journey which I will share with others for the rest of my life. Through our practice we will continue to work toward what is ahead and not be complacent about where we have been. We will evolve with an ever-changing world, work beyond our limits, and work on having a satisfying training experience that stays with us in our quest for peace and harmony for all. I look forward to train with and help all that choose to participate. Please contact ne with any questions at email@example.com.
Tucker Construction, Inc
1725-D Little Orchard St
San Jose Ca 95125
I am happy to see that this class is going to continue. Back in the eighties when I first took over the dojo I started this class. During my training period at the Shingu dojo in Japan the 6:30 to 7:30 am class ran Monday through Friday. It was always a challenge to make that early class, which I tried to do whenever possible. The evening class 7:30 to 9pm was much easier for me. But in the eighties my daughter came of school age and she needed to get to school early. So I started the early class to make sure I was up and ready to take her to school. At one time we had the class 3 weekdays a week, although I believe the Friday was the first and then it expanded to at its peak 3 days. For a period I would teach the class, drop my daughter off at school, Head over to San Jose State to teach Aikido there . Finish a little before noon. Head back to the dojo to teach noon. Then usually go to the fountain at the then 4th Street Pharmacy for a quick lunch. Usually tuna salad sandwich and coffee. Then pick my daughter up from school and either drive her to an activity or back to the dojo, where we lived. As you can see I was busy being a parent. I think by that time I was having other people teach children's classes, although I may have still taught some. And then I taught most evenings. So my schedule was quite full parenting and teaching, something my daughter is now experiencing being a working parent. Over a period of time the noon classes grew and the early mornings shrank. But Mark sensei has kept the Fridays going and I wish him luck and support in continuing them.
One story about my training in the early classes in Japan. During a hot period Hikitsuchi sensei would teach, so it could be great training. But the foreigners were expected to make pretty much every class. As a good friend once remarked, "Aikido maiasa", which translates as "Aikido every morning" but which could sound a lot like and sometimes feel like 'Aikido my a**". I remember vividly one morning(I had probably been out late drinking with Hikitsuchi sensei) I decided to sleep in, figuring he would probably also sleep in. The class ended at 7:30 am. To my surprise at about 7:35 there was a pounding on my dorm room door. I opened it and there was Hikitsuchi sensei. He was somewhat agitated that I had slept in because he had schedule a radio interview on All Prefecture radio at 8. So the true meaning of "Katsu Hayahi", that speed that transcends time and space, came into being. A very quick change into clothes. A drive across the Shingu river on the bridge that connected Wakayama and Mie Prefectures, which was usually, crowded and slow at that time. We made to to his house, rushed in to hear the phone call from the radio station. We both had to pretend we were calm and there waiting for the call. My Japanese was good at that time so I began the interview. I guess I was an oddity. An American of Japanese descent training in Japan in a traditional Japanese martial art. So the questions were pretty easy. Which Japanese foods did I like. Did I have a Japanese girl friend. How did I feel about the Japanese people. That sort of thing. But it began to get a little tiresome after awhile. So when they finally asked me why I was doing aikido, I started quoting Hikitsuchi sensei and his interpretation of Osensei's teachings. Well sensei immediately took the phone and began a lecture on Aikido, which the people at the radio station obviously found not interesting. So they quickly ended the interview. Which of course more than suited me.I think I was interviewed by the Shingu newspaper in a similar vein and I think I still have a copy of that. That was an example of my days in Shingu.
You had to constantly be ready for anything. Especially the unexpected. Which didn't prepare you but made the unexpected and the dealing with it hopefully a learning experience. The Japanese word is 'Shugyo' or special training. When Osensei meant 'training never ends' he didn't mean 'keiko'. He meant 'shugyo'....
Sunday, May 01, 2016
Osensei Revisited 2016...an Overview
Osensei passed away on April 26 1969. So this workshop falls close enough to that date that this workshop can be seen as honoring him and his teachings. I taught the Saturday 7am class, which was focused on staff work. At the end I chanted Amatsu Norito and Kami Goto, which are Shinto chants of purification that Osensei practiced and was said to be fond of. The actual day of his passing was also honored with Norito and Kami Goto at the end of the noon class at my own dojo.
Nadeau sensei has made his life's work taking the things that were personally passed onto him by the Founder and fitting them into an experiential process hopefully mirroring Osensei's own process. Those who have not attended this event please consider doing so next year. It will be virtually the same weekend, April 23, 24, and 25. Teachers and schedule will be announced as the date draws closer, and this year I will try to keep updates a regular feature of the Osensei Revisited Facebook page.
So what were the takeaways from this year's event?
1,Nadeau sensei feels Osensei's spiritual direction is quite different from what is usually stressed. He views the normal as being very much an upper or awareness based system. Visualize a point as a starting place. Then put an expanding series of half circles above the point. And the space between the half circles can be finer dimensions or astral planes. Heaven is oftentimes seen as an attainment and one ascends there.
2. Now visualize the same point and make a series of half circles downward. In contrast to the upper awareness style, this is often missed. The downward direction represents more an experience/feel unfolding,
which takes us more towards not a finer, but a deeper, more original sense of who we are....Carl Jung once said that any tree wishing to grown to heaven must have roots reaching the other direction. We are not talking about heaven being less than the other place, but more that the journey must balance light/dark and leads to an individuation as opposed to a perfection based on finer to finer.
3. So now see the diagram as a series of concentric circles radiating outward from the central point and ideally balancing the upper finer with the deeper more original. So finer must be equal to deeper. Instead of heaven as an end journey, it represents an original state that is both beginning and 'end'.
4. Now let's take the whole sense of things expanding outward and say there is an equal and opposite movement back towards the core point. So just as the upper finer is balanced on the outward as deeper, so there is movement back, Osensei's 'echo' where the outer heaven returns to itself in the core point. Osensei is quoted as saying " Heaven is right where you stand and that is the place to train.(oneself)".
5. The movement outward becomes a dimensional process. There is a small circle around that point that is aware and feels itself to a certain level of identity. The next larger circle has and even deeper and finer sense of itself as an identity. Most of us are trapped or walled in to that first level. Various processes taught at the workshop such as center/circle, fire/water, chanting(sound vibration/silence) are to help you turn the walls of those first levels into membranes that can be passed through. If you haven't made any of the Osensei Revisiteds this alone is worth the trip.The center/circle, fire/water, and chanting techniques were passed onto to Nadeau sensei directly from Osensei. A lot of this is alluded to in Osensei's lectures and writings, but they seem to be obscured by the Shinto that is everywhere.
6. Osensei oftentimes expressed the importance of 'Ame no Uki Hashi', ie the Floating Bridge of Heaven.
Using this model one can theorize what he meant.by that. Another revealing Osensei quote:'' Unite yourself to the cosmos, and the thought of transcendence will disappear. Transcendence belongs to the profane world. When all trace of transcendence vanishes, the true person.....the divine being....is manifest. Empty yourself and let the divine function."......
7. So why does Osensei come down so hard on transcendence? Perhaps it's because going finer even if one goes deeper as well perhaps one can lose one's way. The universe is after all a vast place. But if the universe is a vast tree( used in some mythologies) then the original point is it's seed. So uniting with the cosmos probably means an inner one. So that first or beginning circle, a core or fundamental being place, possible not as exciting as the finer planes of the universe, would contain all the finer. This is what Nadeau sensei understands as the bridge. In a world of no sight, one sees. And that bridge extends all the way out, but also returns to itself..
8.Osensei loved the Kojiki, the Japanese book of creation. There there was an original heavely brine. A type of chaos that was all things , ie infinite possibilities, all oxxuring infinitely. And it congealed into an infinitely dense point, Ame no Minakanushi no Okam, and expanded spherically outward in the sound Suuuuuu.
One way to look at this is that there was an original Source, Unnameable, Unknowable, God, whatever, that created itself as an original Soul, which then entered a universe or creation(also coming out of source) to find itself but also to return to itself. This is the echo. And at any point in the journey, there is the here and now of the bridge connecting yourself to both the beginning and the ultimate of yourself. Completing that journey heaven would be where ever you chose to stand.
Hope you enjoyed the summary. Hope to see you all back next year. And in case you're wondering, yes, there was time for some very good aikido training in the event as well........
Saturday, April 02, 2016
Review: Born to Be Blue
Well, the film is a HIGHLY fictionalized account of Baker's life. It uses the device of Chet being cast in a film playing himself, juxtaposed with flashbacks to his earlier mega-popular years. In an interesting touch his teeth are highlighted. At the age of 12 or 13 Baker lost one of his front teeth in an accident playing with friends. He played with that missing tooth. Later, as shown in the film, he suffered a major beating which not only knocked out his other front teeth(top), but according to Artt Frank, gave him permanent nerve damage. He was told he would never play again. So in the current time of the film, he is shown wearing dentures.So you can chart his timeline in the film by the way his teeth are shown.
A major part of the film is Baker's comeback from the beating, relearning how to play, and getting another gig(he had a famous one in his very early years) at Birdland in New York City. Apparently Hawke learned to play the trumpet for the film. Anyone who has played the trumpet realized the horn is a cruel taskmaster, and when learning you are going to struggle and make horrible sounds. So this part of the film has some realism to it. For an excellent eyewitness account of Baker's real comeback, ie relearning to play the horn, check out Artt Frank's excellent 'Chet Baker:The Missing Years' http://www.amazon.com/Chet-Baker-Missing-Years-Memoir/dp/0988768747/ref=sr_1_fkmr0_1?ie=UTF8&qid=1459656317&sr=8-1-fkmr0&keywords=Chet+Baker++the+missing+years+book+artt+frank
Of course a major part of the film is Baker's drug problem. Hawke's sense of Baker is around these lines. He comes across as high......somewhat passive......very self absorbed......a leaf at the mercy of the wind. Contrast that with the real Baker. He was multi lingual. By his own account during his time in Jail in Italy he learned Italian and came out a fluent speaker. There is an interview on youtube where Baker gives an interview exclusively in Italian. And there is the fact that Baker was a natural musical genius. He could hear any song and play it in any of the 12 keys. If he heard it twice he could solo to it. Very little of this side of Chet if any is brought out in Hawke's portrayal of him.
For me the most interesting part of the film was the apparent wound he had from male figures that he gave power to. The portrayal of Chet's father is chilling. Nothing his son can do is good enough to please him. And the Miles Davis character in the film tells Chet his playing is sweet...like candy.....and to come back when he's lived some. Baker was very inluenced by Davis's 'Birth of the Cool'. In fact in his autobiography
"As Though I Had Wings' he states that twenty years later he still listened to that album. In an interview when asked what he listened to when he was not playing, one of Chet's answers was 'Miles old stuff'.
The music in the film is a disappointment. Hawke sings several Baker songs well, but it is obvious he is copying Chet. The trumpet solos are skillfully done but none of it is Chet's own horn. So I guess this is where I some it all up. If you want to do something different and want to go see a jazz movie, I think this will keep your attention. But if you want to know or to hang out with Chet Baker, check out HIS music. There is no substitute.
Saturday, February 13, 2016
(Tuesdays CW 8pm). Both shows are on my watch list.
So what makes 'Supergirl' an important show? It deals with power from another angle, that of a woman. Comics do overtime evolve and story lines change. Originally in Action Comics she came from Argo City, which flew off when Krypton exploded, and overtime the land under the city was being changed to deadly Kryptonite, so Kara Zor-el was sent to Earth to be with her famous cousin. She was a young teenager, hence the title 'Supergirl'. The plot lines have changed and the character is in her mid-twenties and reacted in episode one to being branded Supergirl by media mogul Cat Grant(Calista Flockhart).
One basic tenet of the show is that while her cousin Kal-el(Superman) came to Earth as an infant and always felt like an outsider, Kara was in her mid-teens and much more fully formed psychologically being raised on her home planet of Krypton.Hence her wanting to bring those around her into her life as Kara/Supergirl. James Olsen (Mehcad Brooks) , her adoptive sister Alex(Chyler Leigh), and Winn Schott(Jeremy Jordan) are all part of her 'team' aiding her as much as she saves them. It is a nice touch. The sense that her friends and sister are family, replacing those she lost on her home world. The Jimmy/James Olsen character is much different and stronger than the Jimmy in Superman lore. So the feeling on inclusion, bringing others on board for support is a major part of the show. Women tend to be more team oriented while men are more competitive and 'fight alone'.
Along the lines of power from the female angle, Calista Flockhart's Cat Grant is a fascinating character. Initially she is portrayed very much as over assertive and ends justify the means. But as the show progresses this gradually changes. She softens. We see the undevelopped vulnerable parts of her come to the surface.
And she becomes a support and an ally to Kart/Supergirl..
Melissa Benoist is absolutely fantastic as both Supergirl and Kara. The scenes with her and Calista Flockhart are very well done, usually extremely funny."Here's your latte , Ms Grant!". But she portrays Kara with such a vulnerability, which is what makes the show go. 'Supergirl' is a show about becoming. She is finding herself both as Kara and the Super hero as they intertwine and unfold. Superman is an established, finished product. Supergirl is evolving, changing, growing.........And Kara is as Melissa Benoist portrays her, a Funny Valentine...
"Is your figure less than Greek...
Your mouth a little weak
When you open it to speak
Are you smart
But don't change your hair for me
Not if you care for me
Stay little Valentine stay
Each Day is Valentine's Day...."
Watch the show and see if you don't agree....
Here is a video I did for Valentine's Day:
Sunday, January 17, 2016
On being granted the shihan title
The Japanese characters mean a teacher who is an example to other teachers. It is often referred to as Master Instructor. But when Tojima sensei visited in 1979 he stated that there was only one Master in Aikido, and that was Ueshiba Osensei. And I believe that to this day. So I prefer the first definition. Certainly the 3 Shingu teachers were definitely role models for me. Anno sensei does that to this day. And the 3 division heads of CAA also I find wonderful role models.
Along with my fellow CAA members Frank McGourik sensei, Michael Friedl sensei, and Cyndy Hayashi sensei also received the title. So I wish them the heartiest congratulations. I especially want to than Hayashi sensei for all the tireless work she has put into the Association. I am sure this award could not have happened without her effort and dedication.
It was December of 1969. I had just completed a quarter of training at the UC Santa Cruz Aikido Club. I went with Robert Frager sensei on a field trip to the Mt View dojo. Walking around the dojo I came upon this certificate
The only teaching certificate I hold was issued to me in April of 1973 by Master Choy Kam Man , certifying me as a t'ai chi ch'uan instructor. But this is definitely quite an honor I would like to thank all the instructors and students of Aikido of San Jose who have supported me over these many years. Without you none of this would have been possible!
Sunday, November 08, 2015
Happy Birthday 2015
In late summer of 1974 I left Santa Cruz to ostensibly go pursue a PhD at Monash University in Melbourne Australia. I went via Japan and while there decided to stay there and major in Aikido, not Russian studies.
But my Mom had had cancer surgery just before I left and the prognosis was not good. When Robert Frager sensei was leaving the UC Santa Cruz Aikido Club in 1975 to found ITP(now Sophia University), the chief instructor position opened up. And I took it and returned. My mom was seriously ill and though she courageously battled the cancer for most of 1975, she finally died in September of that year. I was able to spend most of that year with her. I was at her side the moment she crossed over.
It is interesting how this year has revealed to me how much her death has effected me. To be right there at the moment she passed. It was an honor, and though I was 27 at the time, part of me really had to grow up.
But the sense of loss was overwhelming. What has struck me in the last couple of weeks is that the universe takes, but it also gives and over the long haul everything evens out. Though I was there the at the very moment my mom left, I was also there for the first breath my daughter took. And I see her unfolding and growing, with a wonderful partner in Dover, soon to be a mother herself. Wow!
Some realizations take years, but they hit you in an instant.
Monday, October 19, 2015
My Masters Degree
During my senior year at UC Santa Cruz I started studying Aikido with Robert Frager sensei. I was introduced to meditation. I took both the aforementioned class on Far Eastern Religion and a class on Mind/Body Harmony. And in Spring of 1970 started my practice in Tai Chi Chuan with Steven Malamuth, a direct student of Master Choy Kam Man.. Upon my graduation in June 1970 it was pretty much set in my mind that my life path would be internal martial arts(aikido and tai chi) with an emphasis on the spiritual, ie meditation. But my parents wanted me to go onto graduate school. I was a natural science student at Santa Cruz. I got accepted in biology programs at UC Santa Barbara and UC Irvine. But I had an unofficial minor in Russian and applied to and was accepted at both UC Berkeley and UCLA in Phd programs in Slavic Languages and Literatures. But a Masters Program in Russian at UC Davis surfaced and offered me a full fellowship for a 2 year program. Since I wanted to pursue my dream, basically in the short term go to Japan and train there, I chose to the 2 year program over the Phd programs.
Once I was at Davis it was apparent I really didn't want to be in school. Aikido was only once a week my first year and twice a week my second. Alan Grow, a direct student of Robert Nadeau sensei, taught an Aikido club there. My first year was able on weekends to go to San Francisco and continue my tai chi trarining this time with Master Choy himself. My second year I helped organize a class for Master Choy to teach on the Davis campus which gave me a chance to take what I had learned from Steven and refine further under his teacher. I practiced both morning and evening. I was also at the time really into Yogananda's Self Realization Fellowship meditation which I also did morning and evening preceding my tai chi. My second year I was slso doing Shotokan karate 3 nights a week. So even though I went to my graduate classes you can see my heart was not into that at all.
My facebook page says I studied Tai Chi Ch'uan at Davis. That is largely true. Much more than the Russian classes was my study of tai chi. It was largely due to Master Choy that I was able to keep my center in the midst of being in grad school, not wanting to be there, yet having at the same time to attend classes, deal with graduate level politics. And it struck me that even though my professors had advanced degrees and lots of mental knowledge, their depth of being could in no way approach that of my tai chi master. He encouraged both my study of aikido and even the karate, saying that would give me a good mix.
Well as I was completing my two years there I was so turned off by the experience academically that I figured I would just to to Japan and not take my exam. So I was surprised that the Professors came to me and asked me to test. So I decided to go home for the summer of 1972, having completed my classes for my Masters, come back to take my exam in the fall. So there I was at my parents' house in Santa Cruz, really hitting the books, dreaming of going to Japan to train basically in Aikido but also to keep up my tai chi practice. And during that summer I kept up my meditation as well. And that chapter from Yogananda's Autobiography was fresh in my mind each day.. Yogananda did it. So could I.
So late fall of 1972 I want back to the Davis campus and took my exam. I think my written was so so . I needed to ace the orals to get the degree. Mainly my feeling was that this was for my parents. Getting an advanced degree was not important at all to me but it was very much so to them. Then I could go off to Japan if not with their blessing, at least with the sense I had completed it for them. I was told that I took a very strong exam and passed. The only thing I can say is that all the meditation, the training daily in tai chi, the aikido classes, even the karate classes had given me enough in the don Juan/Casteneda sense enough 'personal power' that they really did not know what to do with me so they passed me. I was free. Ironically one of my professors, the one I really respected, turned up as the Departmental Chairman of the Russian Department at Monash University in Melbourne Australia and offered me a full Doctoral Fellowship to go there and pursue a Phd. My parents were ecstatic.
But having finished up my Masters I was free. I planned to leave for Japan in April of 1973. I was an Ikkyu, brown belt, so hopefully I would get my black belt there. But to my surprise Master Choy certified me as a teacher of tai chi just before I left. So my thiniking was, that was better than a shodan. Tai Chi had the advantage of being something I could practice everyday. And it sustained me through that difficult period. And I practiced the tai chi morining and evening everyday of my first year in Japan.And even though I have practiced over the years, I am once again on a daily practice schedule.
I returned after a short year in Japan( 9 months). August of 1974 I left for Melbourne Australia to pursue my PhD by way of Japan. But that is a story for another day............
The tree in the photo above is where I did my daily tai chi practice for two years at UC Davis. I am with my friend Vladimir, a Siberian Wolf. I went with my friend Dianna Lynne to the Mother EArth festival at Davis, found the house where I stayed and sought out the tree. It remembered me........
Next June I will be taking a journey with other members of Aikido of San Jose to Aikido of Bali Hai. Here is a video I just completed........